Thursday, December 31, 2009
KAIJU COLLECTION
Ambush x A Bathing Ape.
Text Via Hypebeast:
As with previous Bape jackets, this one is split in half – one half takes familiar shark form with the other taking a similarly styled (and fully ‘ambushed’) alligator, which is complete with an Ambush eye and scales over the body. Alongside the jacket, are these Baby Milo rings and a Bape head necklace; both have also been mutated, with Milo’s head being cut to reveal his brain, and with the Bape head being melted. The latter is available in a range of both single and two-tone colourways. As you can see, further accessories along the same theme have also been created, as has this new partially-woven shoe.
Wednesday, December 30, 2009
VANISHING POINT PHOTOGRAPHY
Tuesday, December 29, 2009
LED FACADE
Langarita–Navarro Arquitectos‘ Led wall at the Medialab-Prado in central Madrid is an interactive façade that aims to be a space for exchange and communication with both visitors and locals, a commission by the Madrid Town Council to develop social interaction and to offer a new digital landmark for their city which is often so closely guarded from development. 144m2 of wall space is covered with some 35,000 Led nodes that are configured to allow both still and moving imagery, allowing the wall, with it’s simple traditional madrileño definition to come alive with psychedelic imagery.
Monday, December 28, 2009
SPIKE WENT HARD ON THIS ONE!!!
Michael Jackson - This Is It - Directed by Spike Lee from 40 Acres and a Mule Filmworks on Vimeo.
Academy Award nominated director Spike Lee presents his visual rendition of Michael Jackson’s posthumous single This Is It. The filmmaker takes us back to the icon’s humble beginnings as the video features scenes from Jackson’s hometown of Gary, Indiana, edited together with photos and footage taken throughout his career. The result is definitely an appropriate tribute to the extraordinary life of King Of Pop. Enjoy.
INTERIOR: VISIONA 2
Via: verner-panton
Description Via The Verner-Paton Website:
From the end of the Sixties to the mid-Seventies the chemical company Bayer rented a pleasure boat during every Cologne furniture fair and had it transformed into a temporary showroom by a well-known contemporary designer. The main aim was to promote various synthetics products in connection with home furnishings. Verner Panton was commissioned no less than twice to design this exhibition, entitled 'Visiona'. The 1970 'Visona 2' exhibition showed the Fantasy Landscape which was created in this environment. The resulting room installation consisting of vibrant colours and organic forms is one of the principal highlights of Panton's work. In terms of design history this installation is regarded as one of the major spatial designs of the second half of the twentieth century.
The creative fireworks which Panton lit with his studio within a preparation time of only a few months for 'Visiona 2' is expressed not only in the highly diversified room designs in the exhibition ship, but also in the wide range of furniture, lighting, wall coverings and textiles developed specially for this presentation. Some of these were adapted and went into series production later.
Sunday, December 27, 2009
TRUST FUN! - GLORY SCARFS
By Shane Sakkeus & Jonathan Zawada.
Inspired by nature, science and the Apocalypse, the Glory Scarfs show a spectacular display of colour, pattern and mathematics.
An evolution from our previous ranges of hand dyed scarfs, each one is a mathematically valid fractal, painstakingly created by entering a series of numbers and equations into a computer, creating a potentially infinite variety of form, colour and detail bringing the skill and technique of handcraft into the digital age.
COULD YOU LIVE IN A GLASS HOME WITH GLASS FURNITURE?
via weheart
Having just launched in the UK with their showroom on London’s Great Portland Street, Santambrogiomilano look set to become a staple in the work of high-end interior designers and architects. A collaboration with founder Carlo Santambrogio and designer Ennio Arosio, their ‘Simplicity’ range features a series of iconic furniture pieces, beds, sofas and bookcases, along with architectural elements such as staircases and kitchens, all fashioned from ‘extraclear’ glass, that are elegant and distinctive, whilst perfectly complimenting their surroundings. The beauty of their work is perfectly showcased in their awe-inspiring concept home that the company are currently seeking a permanent location for…. whilst we may have one or two reservations about privacy, the idea of lying in bed watching the night sky is remarkably alluring.
Saturday, December 26, 2009
Friday, December 25, 2009
GHOSTS OF SHOPPING PAST
Photographer Brian Ulrich has released a photo series that provides a dark perspective into the world of American commerce. The “Ghosts of Shopping Past” is a collection of photographs of defunct shopping malls throughout the United States, an eerie look at the disposable nature of our consumptive habits. Where the items we purchased decades ago are long destroyed, so are the temporary temples from whence they came.
Ghosts of Shopping Past
Interview by Nozlee Samadzadeh
Landscaping overgrows, walls develop mildew, ceilings cave in—a building can be shut down, but that doesn’t make it go away. Brian Ulrich’s photographs of closed-down malls and big-box retail stores reveal the potential ghost towns lying inside successful shopping complexes all across America.
Photographer Brian Ulrich lives and works in Chicago. His work has been shown in Museum of Contemporary Art, Chicago; the Museum of Contemporary Art, San Diego; the Art Institute of Chicago; the Museum of Contemporary Photography; Galerie f5.6 in Munich, among others. He is a 2009 John Simon Guggenheim Memorial Fellow. All images copyright the artist, all rights reserved.
* * *
Why closed-down stores?
The idea went back to 2005 when I drove weekly past a large closed supermarket on the North Side of Chicago. At night the space really transformed from one of neglect and misuse to something incredibly visual that described a Rothko-esque painting space divided in three parts (parking lot, building, and sky). I spent a few nights making some photographs to try and replicate what I saw. I had been working on a larger project dealing with American consumerism, and it was no surprise to me that these spaces would fail and dwindle as fast they arise. I was in the midst of a deeper project, photographing in thrift stores and recycling shops as part of my “Copia” series, so I shelved the idea.
At the end of 2007 with many rumblings of recession, I thought of those pictures and began the project in earnest in May of 2008. In many senses it was a vindication of what I had been talking about in my earlier work. How can an economy sustain a lifestyle based on exponential growth and the leisure and wealth to support it? It’s not rocket science to expect these kind of illusions to fail. What’s strange is how ingrained the brands and spaces are to us that so many were not only surprised to see major retailers and malls sink but were saddened. Many of these ideas were set in motion decades ago.
Where in America are these empty stores?
Everywhere! What’s nice about photography is it can transform your perception of your experiences. By making these photographs it puts the spotlight of the massive amount of space not only dedicated to retail across the country, but the massive amount of neglect by those spaces.
It is important for me to travel across the country to emphasize this. The pictures are titled by the former brand that occupied the location so one would never know if the scene was Ohio, Nevada, or New Jersey without some research, but that’s not the point. The point is to create a sense that you are looking at the dead mall or empty Circuit City from your neighborhood. The traveling for me comes out of a obsession with not only cataloging so much of the issue but also making many subtle connections to landscape to be clear that we’re looking at the whole country.
How do you set up a shot? Do you have to get permission to get inside the buildings?
Sometimes I do make arrangements to get permission to photograph inside the malls. Sometimes they say no, other times I’m lucky. In some of the malls, they are in such dire states that there is simply no security there to tell anyone not to photograph. As far as the retail spaces, I show up and get to work. I’ve never been asked to leave a parking lot since there are no laws against photography in public.
To set up a picture depends on what’s in front of the camera. I start by doing lots of research online. Looking through Flickr, Google Street View, Deadmalls.com, and Labelscar as well as retail real-estate listings. I’m trying to get an idea of what I might find in a given location. Some sites change fast as I have to sometimes have good timing to find some of the “label scars” before they are painted over. Other times it’s simply driving, looking, and exploring. Once I get to a location I make tons of cell phone snaps to start to make decisions about what kind of picture to make. It can be obvious or subtle and it’s not uncommon to not even make the picture until months later.
Many abandoned big-box stores are renovated into schools or churches. What do you think should be done with these empty buildings?
Some buildings can be repurposed but so many cannot. Retail design and use is not only based on the space itself but also location. When a few stores go down often many others in an area go with them—a retail ghost town if you will. Though one can repurpose one space it might sit in a vast area of blight. The problem lies not in what we should do with what we have already but it seems more important to get a lot stricter about what new retail spaces we allow into our communities. The promises are always jobs and tax revenue, but that won’t help in the long run if the store folds or relocates to the next township who offers an incentive.
It may seem cynical but I personally would like to see many of the spaces simply be turned back into fields, woods, and natural landscape, rather than trying to discover some profound solution. This is actually happening not so much by design in Detroit where entire neighborhoods are disappearing. Rather than design a new use for the space, many are arguing to leave it and let it be.
Are these giant retail stores a necessary part of our culture?
I think many of the initial ideas that Victor Gruen had for malls were in the right direction, but sadly they’ve fallen so far from community center. People are moving back to downtowns, largely where community is unavoidable. One has to know one’s neighbor, and when you buy something from a merchant you know, you’re aware of the intrinsic act of exchange.
I cringe to think we’ll all just be under one giant Costco roof like in the movie Wall-E in the future, though it sometimes it seems quite feasible. Though the internet serves as a much better roof than Costco
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